Game of Thrones Fatigue

So Season 2 is drawing to a close. What have we learned? Peter Dinklage is awesome (not that we needed to be reminded), this season is much less anchored without Sean Bean, and boobies solve everything.

Worst. Typecasting. Ever.

Awhile ago I wrote a post about prostitution in the first few books basically trying to come up with a possible explanation for the sheer volume of violent sex scenes, however, try as I might, I couldn’t come up with an explanation for the addition of even more violent sex scenes (almost exclusively against women) in the TV show other than more boobs = higher ratings = more money to roll around in. Sex may sell but the lack of male nudity is particularly vexing, at least balance it out HBO!

At the time I was planning to write a post reviewing each episode of season 2, I even mentioned it in the comments, because I was still caught up in the excitement of the New Big Thing. Way back in the distant past of last summer I was all for Game of Thrones (or GoT as all the cool cats are calling it). It was exam season so in an attempt not to study I turned to TV for a distraction. Actual real life TV, not internet TV (desperate measures for desperate times).

I watched all of season 1 as it aired and immediately bought the first four books off amazon. I read them all over the summer, the per cent read on my kindle crept up ever so slowly. I took breaks to read other books. Had one tantrum after a certain event and stopped reading for a while, got bored on several occasions and took holidays from Westeros. Then my cousin kindly lent me Dance with Dragons. I couldn’t hack it though, reading it in bed was a dangerous past time, one slip and I could have broken my nose. So I got the kindle edition instead. Some day soon murders will be committed with the hardback edition and bloodied copies will be held up in plastic evidence bags in courtrooms (just how George would have wanted it).

Overall the whole process of discovering TV show, getting really excited, reading all the books and getting sick of the whole thing took about 5 months(ish).

Now that push has come to shove as it were, I can’t bring myself to review each season 2 episode individually. I’ve tried watching and can’t. A few minutes into the second episode I found myself looking wistfully at the ironing and started tackling that instead. This is the only way they can keep me interested, if I watch them while doing something marginally less interesting; the flat has never been cleaner! I think I’m suffering from overexposure. After a summer long binge on slowly declining prose I’m sick of it (quite literally, in bed with a throat infection today, maybe I’m allergic).

The problems I have with GoT are x-fold (x because I can’t be bothered to count and I reserve the right to add more reasons as more books and episodes are released).

  1. It should have been a trilogy The first two books (in my opinion) are the strongest and the most action packed. Then they get gradually more dragged out as they fall into a wormhole and time is warped so that nothing happens for hundreds of pages. In Dance with Dragons sweet FA happens until the end, and even then, shocking deaths and gritty plot twists are no longer that shocking or gritty the 20th time they happen.
  2. Too much repetition this is really a sub-complaint from number 1 as I believe this is a consequence of the series being stretched over 7 books rather than a nice neat trilogy.  In every book one character is travelling across a continent. Seen one seen ’em all. I don’t mind reading about the few interesting things that happen on these journeys but there’s only so many campfires and tired voyagers I can take before it all gets a bit samey. A lot of stuff repeats itself in the series but I’ll stick with this example because (MINOR SPOILER INCOMING) by the time Brienne sets out on her journey to find Sansa (one of her many treks across the continent) the trope gets completely absurd. We know even before she begins that the whole thing is futile because, by virtue of Sansa’s POV we know Brienne is heading in the complete wrong direction! The whole way along we know that these chapters are pretty much pointless. Now semi-interesting stuff happens at the end of Brienne’s plotline but the entire thing drags out for ages beforehand telling us virtually nothing. Her whole plotline could have been compressed without loosing anything (/SPOILER)
  3. Gritty gets dull without substance The many deaths are no longer shocking. They get fairly predictable and they don’t stick. We know it’s coming so we’ve gotten over it before it happens and quite often once a character is killed they’ll be back later. A quick guide to GoT deaths: if you don’t actually see a character die – as in there is no way they can physically recover and the viewpoint character sees them actually take their last breath – then they’re probably not dead. And if they definitely are dead I’m going to bet by book 7 there’ll be a 50% chance they all come back as white walkers. It’s hard to mourn characters once you recognise this pattern. The last time a death surprised me was (one of the many) at the red wedding. Gritty ‘realism’ can only take you far. If your prose and characters can’t carry it then it becomes a gimmick like everything else and I believe Martin’s characters are less and less capable of picking up the slack. Also, having read a lot more of the books than I had when I wrote that last post, I no longer stand by my vehement defense of Martin’s use of sex as realistic, plot relevant and useful to explore characters. 

    A concise summary of books 1-5

  4. Too much is kept behind the scenes In a series where incresingly little happens – or as a former GM of mine said ‘events happen, but the general plot just trundles along at a snails pace‘ – Martin can’t afford to be coy and maddeningly obscure about absolutely everything. I’ll never complain that nothing happens in Westeros, I just get angry at reading more and more details of feast preparations, when these feasts largely serve as exposition to try and get me to memorise thousands and thousands of minor characters, while at the same time so much is actually happening just never described. Events at the tower of joy are only ever hinted at but in away that make them seem pivotal. Too much exposition (and sexposition) spaces out the interesting stuff until he finally adds insult to injury in Dance with Dragons when fascinating, exciting and plot essential events finally happen during a feast in Winterfell (when *spoiler* eats *spoiler*) and it’s barely referred to! The meal is described in the usual boring detail and it was only afterwards on the Westeros forums I learned all the details. Now one or two events like this are fine. This subtlety encourages speculation and keeps his fan base loyal and adds some much-needed depth. I don’t give a fiddler’s what they eat or wear but I want more than occassional hints at the bigger picture.
  5. We’ve Stagnated I’ve already gone on for longer than I intended but by the end of book 5 most characters haven’t moved very far and don’t look like they’re going to move any time soon. The next few books will either be incredibly exciting as he plays catch up to get all the characters in roughly the same place and to fullfill all the many themes he’s been setting up and plot events he foreshadowed then ignored. Or else they will continue in the way they have been going: with very little happening on-screen/page and a hasty wrap-up crammed into the last hundred pages.
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8 Responses to Game of Thrones Fatigue

  1. All these observations sound like symptoms of the “inspiration is gone but the money is too good to pass up” syndrome, although I’m not Martin so I can’t tell you his motivations. He might have believed he had a good book to write, but didn’t succeed as well as he wanted.

    • galactichobo says:

      I think the money thing is part of it, perhaps not Martin’s choice though, could be his publishers. Hopefully they’ll cop on before the whole thing goes much further

      • I think at least part of it has to be Martin. He’s extended the arc of his books so needlessly that it has to be intentional. If this were an anime Brienne’s quest would be considered, at best, a filler arc. The only fault I see so far with the show is that it’s trying to stay true to the books. The boobies are probably just to keep the male demographic interested through it all.

      • galactichobo says:

        Most of the filler doesn’t happen till the later books so the show isn’t too bad (yet) in that regard. And what about the female demographic? The main reason I object to the over-abundance of naked breasts is because they’re largely unnessecary additions (it’s not as if there wasn’t enough sex in the original to keep both demographics interested) and so much more sexual abuse of women is added that I’m not sure I want to know what subsection of the male demographic they’re focusing on (WTF Joffrey?)

      • Good point. Joffrey isn’t so much a sick puppy as diseased and half rotting on the inside.

  2. HandsofBlue says:

    Never knew you blogged. Good stuff.

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